I have begun a poetic series called Nature from Bed, born out of my fabric objects and tactile experiments. The series emerged from working closely with materiality itself — soft, layered, and weathered — gradually unfolding into something more symbolic and introspective.

For me, it embodies both the masculine and the feminine principle, not as opposites, but as intertwined forces, often hidden beneath perception, waiting to be felt rather than clearly seen.

Most works are created on paper, using delicate pastel tones that evoke fragility and light. There is a certain “sandbox-like” quality to them — sun-kissed, slightly imperfect, shaped by touch and time, like memories exposed to air and fading daylight.

Recurring throughout the series are my animal motifs and wisdome whispers, appearing like fragments of a personal mythology — impressions that resist definition, yet remain emotionally present.

Parts of the series were exhibited in Milan, as well as at the Orangerie in Munich. These are works on paper, which can be created as commissioned pieces or acquired as original A4 sketches.